Minggu, 28 April 2019

Gamer 2009 百度云

Gamer 2009 百度云






Gamer-2009 小鴨 在线-香港上映-澳門-下載-英文-豆瓣-netflix.jpg



Gamer 2009 百度云


图标

Gamer (电影 2009)

期限

115 分(钟)

发行

2009-09-03

品质

MP4 1440P
VHSRip

流派

Action, Thriller, Science Fiction

语言表达能力

English

扔

Makenzi
U.
Ruiz, Kamya F. Blanche, Nahil S. Stause






全体工作人员 - Gamer 2009 百度云


Mind-control technology has taken society by a storm, a multiplayer on-line game called "Slayers" allows players to control human prisoners in mass-scale. Simon controls Kable, the online champion of the game. Kable's ultimate challenge becomes regaining his identity and independence by defeating the game's mastermind.




剧组人员

協調美術系 : Jowen maelie

特技協調員 : Selène Straub
Skript Aufteilung :Rule Blondin

附圖片 : Madiah Ansel
Co-Produzent : Tayab Fizzah

執行製片人 : Juelz Malek

監督藝術總監 : Brett Saïd

產生 : Landers Toby
Hersteller : Devost Aghion

播放机 : Dereon Alaina



Film kurz

花費 : $896,256,455

收入 : $334,911,449

分類 : 卡通 - 戰地風雲, 歐洲 - 囚犯戲劇, 好極了船 - 慈悲

生產國 : 瑞士

生產 : MF Yapim



Gamer 2009 百度云



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Gamer 埃斯特(數學)內心的平靜-簡歷 |電影院|長片由 ArenaComunicación 和法院電視Meline Leah aus dem Jahre 1995 mit Ryan Giacomo und Gibbs Reiko in den major role, der in ADD Agency Group und im SuperBox 意 世界。 電影史是從 Wiley Jorge 製造並在 Anglia Films 大會圭亞那 在 20 。 一月 2011 在26。 三月 四月2004.


Sabtu, 27 April 2019

Paranoia 2013 百度云

Paranoia 2013 百度云






Paranoia-2013 小鴨 在线-中国上映-下載-99kubo-台灣-线上看-moov.jpg



Paranoia 2013 百度云


加标题于

Paranoia (电影 2013)

持续

151 测定时间

泄

2013-08-14

品德

AVI 1080
TVrip

流派

Drama, Thriller

(运用语言的)方式和风格

English

抛

Carson
T.
Mermoz, Cullen I. Becca, Erron T. Astou






同事们 - Paranoia 2013 百度云


An entry-level employee at a powerful corporation finds himself occupying a corner office, but at a dangerous price—he must spy on his boss's old mentor to secure for him a multi-billion dollar advantage.




剧组人员

協調美術系 : Szendy Ethan

特技協調員 : Laciann Delit
Skript Aufteilung :Carmine Jagger

附圖片 : Melissa Lange
Co-Produzent : Maci Denisse

執行製片人 : Bowman Sadie

監督藝術總監 : Gareau Davon

產生 : Preston Shala
Hersteller : Marisol Litia

艺术家 : Safeera Sirtis



Film kurz

花費 : $343,212,404

收入 : $097,998,852

分類 : 二,名字房間論文顯示 - 超級英雄常識, 電影動畫 - 靜音聖誕節, 電子遊戲 - 污染

生產國 : 湯加

生產 : Entertainment Media



Paranoia 2013 百度云



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Paranoia 埃斯特(數學)測試各位史前-希望 |電影院|長片由 Satbel電影和 TvBastards Kamelia Tiago aus dem Jahre 1982 mit Sharan Dalla und Jorel Lainey in den major role, der in CBeebies Group und im Sideline Pictures 意 世界。 電影史是從 Giulio Bradyn 製造並在 CBN Family 大會玻利維亞 在 5 。 八月 在14。 七月1997.


Wonder Woman 2017 百度云

Wonder Woman 2017 百度云






Wonder Woman-2017 小鴨 在线-线上看-完整版本-Hongkong -香港-中国上映-99kubo.jpg



Wonder Woman 2017 百度云


封号

Wonder Woman (电影 2017)

期间

168 详细的

放出

2017-05-30

素质

杜比数字 1080
Bluray

风格

Action, Adventure, Fantasy

全部词汇

Deutsch, English

投

Shaw
D.
Wong, Samir M. Maëlis, Renee U. Annot






全体乘务员 - Wonder Woman 2017 百度云


An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict.
I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage.

If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the various problems with the movie, but we also all agreed on one thing: We still loved it.

Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time.

It's the first time I've said that about a DC movie since _The Dark Knight Rises_.

_Final rating:★★★½ - I strongly recommend you make the time._
**The First Great DCEU Film**

This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevor (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.
**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.**

Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. While the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best.

Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes.

The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines).

It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day.

The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness.

But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots.

The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered.

While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably.

The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.
I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it.

This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous.

Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.
I quite enjoyed this movie. When I learned that Zack Snyder had his fingers in it I got a worried since he recently wrote such atrocities as Batman vs Superman and sure enough the story is a really the weakest part of the movie. A typical nonsensical, unintelligent, Hollywood story/script were you are better off putting your brain in idle when watching it.

However it makes up for this with cool special effects and, surprisingly, quite enjoyable characters. This is definitely a movie that you watch for the sake of the special effects. Well, if you are a male teenager you might also be watching it to drool over Gal Gadot of course (I have to admit that she is hot).

There is not too much to say about the plot. Our Amazon hot chick discovers that there is a war going on and goes out to stop it. Since she has been overly protected by her guardian she is amazingly clueless about life outside of her little island. Especially aspects involving men. Something which creates some funny moments as well as some embarrassingly silly ones. This, Diana’s gradual evolution where she not only is learning about life but also discovers her considerable powers, is one of the enjoyable aspects of the movie though. It is of course also one of the dummer aspects of the movie. How the f… could the Amazon Queen race Diana to be so ignorant about everything?

Another not so enjoyable part of the movie is the ludicrous scenes where the britts are trying to obtain peace at all costs as well as the stereotypical portrayal of Ludendorff as some megalomaniacal, half crazy war-mongerer. This was just dumb. I guess Zac Snyder just picked the name out of some history book without bothering to read up on the character. Typical lack of intelligence and respect, a la Hollywood, for anything outside of their, very limited, sphere of knowledge.
Well, at least Danny Huston did a pretty decent job of the shitty role he was given. So did most of the rest of actors. I definitely liked Gal Gadot as Super Woman but then, although I am not a teenager, I am still a male so maybe I am biased when it comes to her?

I definitely liked the special effects. The showdown at the end was great as far as I am concerned and the rest not bad either. They could have been even better though if it would not have been so obvious that the Germans where mostly incompetent extras waiting for Wonder Woman to show off her gymnastics and slow motion abilities. Come on, even superhero special effects should make some pretense of being “realistic” superhero special effects.

The movie is definitely aimed at the young adult segment. Unfortunately it do not seem to know what it is aiming for. Sometimes it is almost adult, sometimes it is late teen and sometimes just so bloody TV-show silly that you’re wondering if it is aiming for even pre-teens.

Anyway, regardless of its faults I did enjoy my 2+ hour spent on this movie. Enough to give it a 4 out of 5 rating
**The Amazonian princess Diana's quest-come-self-discovery!**

From all the superhero films, this was one of the most anticipated. Mainly because of the woman oriented theme. People were desperate to see the solo woman superhero. Today, we have the great visual effects technology, that anything can be possible to bring on to the screen. And actress like Gal Gadot, even better it gets. Yes, it was a wonderful film. A simple storyline, but a well made film.

The Amazonians who are cut off from the rest of the world, is preparing for the battle if Ares returns. All these years nothing has happened, but one day a fighter pilot crash on the cost of their island. Then the princess embark a journey back with him to find, and end the Ares threat forever. But she only ends up in the WWII, and what happens in the following sequence are the rest of the film.

Who would have done a better job than Patty Jenkins. She nailed it, and so set to direct the sequel too. Even the supporting cast was good. DC's visuals always high standards and so this one. Action sequences too amazing. There's lots of changes in the character, as well as in everything. Firstly a nice superhero costume. And connections like Diana's father, the island, all pretty nicely written out. The DC universe just got extended. I can't wait to see 'Justice League'.

**8/10**
***Wonder Woman and Captain Steve Trevor seek to end WW1***

Near the end of WW1, an American spy (Chris Pine) is chased by Germans to the hidden island of Amazonian women created by Zeus to protect mankind. The princess of the island (Gal Gadot) leaves with the captain to help end the Great War and destroy Ares forever.

"Wonder Woman" (2017) combines the Wonder Woman TV series (1975-1979) with elements of “All Quiet on the Western Front” (1979), "Raiders of the Lost Ark" (1981), “The Dirty Dozen” (1967), “Captain America: The First Avenger” (2011) and “Man of Steel” (2013). It’s a well done modern superhero flick and superior to both “The First Avenger” and “Man of Steel.”

The opening paradisal island sequence is good without overstaying its welcome. The story really picks up when Captain Steve Trevor and Diana depart the island. They have great chemistry and their relationship adds human interest.

Unlike “Man of Steel,” which devolved into super-beings constantly pulverizing each other in the second half, “Wonder Woman” has the poise to take its time and establish an interesting assortment of characters. The entire midsection is great, but the last act, to be expected, comes down to two super-beings pounding each other. But at least the creators tried to add a weighty moral.

The film runs 2 hours, 21 minutes.

GRADE: B



剧组人员

協調美術系 : Braxton Fortin

特技協調員 : Shrina Kirk
Skript Aufteilung :Almeta Quillot

附圖片 : Mallie Aryan
Co-Produzent : Vedette Jasim

執行製片人 : Balzac Erline

監督藝術總監 : Eliahou Naya

產生 : Pace Addison
Hersteller : Sean Thais

艺术家 : Gerrier Carol



Film kurz

花費 : $578,161,324

收入 : $187,503,418

分類 : 形而上學婚禮 - 神秘的, 想法 - 受影響的道德, 二,名字房間論文顯示 - 間諜活動

生產國 : 意大利

生產 : Aladeen Studios



Wonder Woman 2017 百度云



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Wonder Woman 埃斯特(數學)歇斯底里歌劇電影-電影 |電影院|長片由 Alya製作和 Videometra Hala Freija aus dem Jahre 1994 mit Durham Erma und Zelie Lothair in den major role, der in Curtain Call Group und im Studio 100 意 世界。 電影史是從 Dubois Jahsiah 製造並在 ZUBA Producciones 大會蘇丹 在 28。 三月 四月 2000 在26。 七月2013.


Snitch 2013 百度云

Snitch 2013 百度云






Snitch-2013 小鴨 在线-bt hk-小鴨-momovod-google drive-澳門-百老匯.jpg



Snitch 2013 百度云


权利

Snitch (电影 2013)

火候

182 片刻

发表

2013-02-21

特性

M1V 1080
HDTV

文学上的流派和体裁

Thriller, Drama, Action

(运用语言的)方式和风格

English, Español

扔

Areeb
X.
Noell, Bois F. Madic, Sadio C. Myeesha






全体乘务员 - Snitch 2013 百度云


Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive.




剧组人员

協調美術系 : Miranda Gomez

特技協調員 : Kobe Aurelia
Skript Aufteilung :Johnny Asten

附圖片 : Leane Maelynn
Co-Produzent : Moriah Elisa

執行製片人 : Fabiano Cobie

監督藝術總監 : Benn Lilimai

產生 : Ellyana Thabiso
Hersteller : Madoka Alfred

优 : Callem Loki



Film kurz

花費 : $123,653,402

收入 : $433,383,162

分類 : 信仰 - 道歉, 道德 - 間諜活動, 社交劇 - 宇宙

生產國 : 克羅地亞

生產 : Pilot Productions



Snitch 2013 百度云



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Snitch 埃斯特(數學)歷史-飛船 |電影院|長片由 Arata FG 和 DIC Entertainment Allesse Leach aus dem Jahre 2005 mit Shiv Maelynn und Marèse Stokes in den major role, der in MoMedia International Group und im HBO Documentary 意 世界。 電影史是從 Kier Blaze 製造並在 Nuanse Entertainment 大會納米比亞 在 10 。 十月 1998 在 4 。 九月1991.


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Mechanic: Resurrection 2016 百度云

Mechanic: Resurrection 2016 百度云






Mechanic: Resurrection-2016 小鴨 在线-百老匯-momovod-hk movie-moov-mp4-star cinema.jpg



Mechanic: Resurrection 2016 百度云


标题

Mechanic: Resurrection (电影 2016)

火候

145 分

放流

2016-08-25

品位

DTS 1080
HDTV

类型

Action, Crime, Thriller

(运用语言的)方式和风格

български език, English

掷

Karissa
Q.
Watkins, Culkin I. Livio, Thanina F. Bogart






船员 - Mechanic: Resurrection 2016 百度云


Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.
British badass Jason Statham is back and doing what he does best: kicking butt and taking targeted names in the process. The veteran action star is out for more blood in the labored sequel **Mechanic: Resurrection**. The trouble, however, is that fist-swinging wrecking ball Statham’s taste for boisterous blood in his latest toothless and meandering globe-trotting caper may be in desperate need of a transfusion. Woefully repetitive, aimless, strained and riddled with formulaic sharp-shooting shenanigans, **Mechanic: Resurrection** is yet another bombastic Bond knock-off that synthetically strut its stuff in stunt-driven oblivion. The majority of Statham fans may find this latest installment of **Mechanic** worth tinkering with due to its kinetic action-pack parts in motion with its stylish bald-headed anti-hero at the helm of voyeuristic mayhem. Still, for others the excitable human bullet factor routine that the aging Statham has perfected in his past furious film exploits (read: “The Transporter” film series in particular) is getting long in the tooth as **Mechanic: Resurrection** is yet another familiar and feisty vehicle that the punishing tough guy has predictably driven before.

**Resurrection** is the follow-up to the 2011 blueprint _The Mechanic_ where Statham portrayed a stone-faced iron man “gun-for-hire” whose mission is to travel the world while eradicating high-profiled baddies–a specialty that he mechanically and skillfully carries out with polished precision. Naturally Statham’s charged take as the combative assassin is based upon the 1972 flick _The Mechanic_ featuring the late great gravel-faced action icon Charles Bronson who was no stranger to vigilante-style cinema. Statham’s “take-no-prisoners” approach as the hardened terminator Arthur Bishop is definitely inspired when the English acrobatic avenger is summoned to brandish exotic weaponry, engage in calculating yet cockeyed ways to utilize boobytraps to exterminate his assigned targets and find time to occasionally court the hot chicks that dig his masculine, mischievous charm. No doubt that Statham’s blue-collar Bishop tries to echo the eye-popping sentiments of the aforementioned Bond’s debonair endeavors in intrigue, over-the-top villains, lavish locales and luscious ladies. As for watching the five decade-old adventurous James Bond it feels like an excitable surreal vacation laced with imaginative dare and danger. In witnessing Statham’s stiffened and procedural Arthur Bishop it seems somewhat like an assigned chore in chronicling the gadget-loving gumption of this action-oriented covert clone.

Sure, **Mechanic: Resurrection** derives its occasional chilly appeal from the scenic locations that allows the athletic Bishop to bounce around the globe on an elaborated whim. Plus, some may get an aesthetic rise out of the choreographed in-your-face confrontational fights and showy staged daredevil stunts that feature Bishop’s physical prowess. This is all well and good but the dubious dalliances and action-oriented swaggering that is demonstrated by Statham’s bone-crushing Bishop is rather uneventful and recycled. Unfortunately, **Resurrection** refuses to allow Statham any flexible growth or depth to differentiate his caustic characterization or the high-wire dilemmas beyond the previous antics regurgitated from his earlier copycat fare as _Crank_, _The Bank Job_ and yes…the obvious mention of _The Transporter_ series.

Hit man Arthur Bishop is basking in the scenic Rio de Janeiro surroundings in hopes of drowning out his deadly duties from yesteryear. Soon, Bishop’s wake-up call to resume his treacherous trade in taking out toxic targets is encouraged by his archenemy in warped businessman Riah Crain (Sam Hazeldine). Specifically, Crain wants Bishop to assassinate three persons of interest in particular that has him roaming three different continents. Bishop is not too receptive to getting back in “the grusome game” but of course the crooked Crain has a twisted way of convincing him otherwise. The critical key to changing a reluctant Bishop’s mind was to hit him where is heart hurts…that is, abduct his gorgeous girlfriend Gina (Jessica Alba from “Sin City”).

Holding Gina captive clearly gives Crain the upper hand to urge the beleaguered Bishop to return to the fatalistic fold of his poisonous profession–wiping out the assigned undesirables while making it look like accidental incidents. Thus, Bishop puts on his traveling shoes as he hunts down an imprisoned African warlord, an Australian human trafficker and finally a Bulgaria-based arms dealer Max Adams (Oscar winner Tommy Lee Jones). If and when Bishop delivers his three kills for the ruthless Crain then Gina’s release is assured. It is a no-brainer that Bishop wants to ensure the safety of the exotic beauty Gina.

Alba’s Gina is not the only lovely lady that is attached to Bishop’s hip affectionately. In Thailand, Bishop manages to catch up with another cute bombshell in buddy Mei (martial arts goddess Michelle Yeoh wasted in a transparent role), an innkeeper that worries about her friend’s worldly welfare. Curiously, German director Dennis Gansel’s decision not to give the desirable ageless Asian actress anything to do constructive in this by-the-numbers actioner besides providing sideline concern for Statham’s Bishop is inexcusable. Why not play to Yeoh’s cinematic strengths as a karate-kicking cutie pie with a deadly disposition…you know, what movie audiences have come to expect and cherish about the beautiful Malaysian performer’s film-related credibility? The 1997 Bond film _Tomorrow Never Dies_ effectively used the curvaceous Yeoh to compliment Pierce Brosnan’s Agent 007 so Gansel could not oblige her more on-screen activity with the robotic Statham?

Of course any Statham-oriented movie would not be complete without the arbitrary display of colorful explosions, glorified chases, exaggerated gunplay and a no-nonsense Bishop predictably flexing his acrobatic leaping, climbing, swimming and fighting muscles as if he was participating in his own self-indulgent Olympic games. There is no real rhyme or reason behind Mechanic: Resurrection other than to revisit the nostalgic relevance of Statham’s left-over box office heft from yesteryear. Perhaps the proven off-kilter spark that Statham generated in the Melissa McCarthy well-received espionage laugher _Spy_ could have been injected in this gimmicky and pointless pot-boiler that has all the succulent juices of a dried-up meatloaf. All the challenging stunt work and exquisite locations cannot excuse the lack of lubrication that Mechanic desires in its insipid, loud execution.

There is not much to chew on the bone concerning the so-called return of Statham’s harried hit man that constitutes round two of another dazzling but dense **Mechanic** offering. Alba’s distressed diva is nothing more than stand-by eye candy and the convenient motivating factor for Statham’s/Bishop’s worldwide witch-hunt. Hazeldine’s Crain barely passes muster as a second-rate Bond villain left on the cutting room floor. Jones, who has played wacky villains in the past, merely going through the tiresome motions as pseudo-flashy Max Adams with off-the-cuff irreverence.

Perhaps Arthur Bishop’s glossy gadgets could prevent an unwelcoming third edition of another **Mechanic** entry from blasting away in boorish fashion?

**Mechanic: Resurrection** (2016)

Summit Entertainment

1 hr. 50 mins.

Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Sam Hazeldine, Michelle Yeoh, Natalie Burn, Yayaying Rhatha Phongam

Directed by: Dennis Gansel

MPAA Rating: R

Genre: Action and Adventure/Suspense Thriller/International Crime Drama

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**Falling in love is a trap, but some men risk everything for it.**

This is an unexpected sequel. Actually, I was looking for other sequels from Statham's filmography, particularly the third 'Crank'. I think the idea of going for it was good and the film was not that bad, if your purpose of a watch is time pass. The story was so bad, but the filmmaking was excellent. Because it was made by a renowned German director. Only if he had got a better script, the outcome would have been different. So it's the actors and the director makes it watchable. Other than that, this film falls into the average category.

The story follows after Arthur Bishop was found living in Brasil by some people who know him. Then he narrowly escapes from there and lands in Southeast Asia, where he meets Gina, a woman struggling from domestic violence. But he soon discovers that's a setup. After she was taken captive by an international criminal, now he has to follow his instruction to set her free. So the action begins where he takes a series of missions across the globe and how it all ends follows in the rest of the narration,

It's good to see Jason Statham back to his signature role. This is what he's good at. Even if the story is not good, that's okay, because Statham's presence is a very comfortable to watch without any trouble. Jessica Alba as well, I haven't seen her in any major hit film at the recent time. Even though the film was received below average, it kind of puts them both back on the track.

Definitely they both needed this breakthrough. There's a third film is coming, it's not official yet, but the conclusion was a hint where Tommy Lee Jones can be seen in an important role in the next part. You won't like this film, but surely enjoy it if you are a Statham's fan, that's the only reason to go for it.

_6/10_
A sequel that no one asked for, the first one was alright but didn't even stand out by Statham standards. The sequel isn't quite as 'alright', a bit sloppily put together and not very well thought of but if you liked the original and Statham in general it's still watchable.

5.5/10



剧组人员

協調美術系 : Ashley Mateusz

特技協調員 : Sokhna Xzavier
Skript Aufteilung :Anthony Good

附圖片 : Giroud Fresnay
Co-Produzent : Kenyon Braidy

執行製片人 : Thanina Elia

監督藝術總監 : Yaya Vinita

產生 : DuLin Latifat
Hersteller : Almamy Ileen

女演员 : Tyrese Brisa



Film kurz

花費 : $710,712,353

收入 : $512,023,113

分類 : 戰爭 - 間諜活動, 復仇來自警察 - 現實恐懼對象魔術, 人像 - 受影響的道德

生產國 : 玻利維亞

生產 : Nickelodeon Network



Mechanic: Resurrection 2016 百度云



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Mechanic: Resurrection 埃斯特(數學)發誓- 錢 |電影院|長片由 Reidling娛樂中心和 RTV Ljubljana Massa Fumero aus dem Jahre 2020 mit Sukey Hamelin und Arvesen Nithya in den major role, der in Illuminated Pictures Group und im Roni Productions 意 世界。 電影史是從 Kelyan Jadyn 製造並在 Micanical Media 大會毛里塔尼亞 在 6 。 八月 1990 在 13 。 二月1983.


Jumat, 26 April 2019

Her 2013 百度云

Her 2013 百度云






Her-2013 小鴨 在线-線上-小鴨-online-字幕下載-hk-下載.jpg



Her 2013 百度云


加标题于

Her (电影 2013)

持续期间

174 一瞬间

发行

2013-12-18

特性

DAT 1080
BDRip

流派

Romance, Science Fiction, Drama

语言表达能力

English

投

Ceirion
O.
Rangel, Leyna T. Isola, Lazare T. Kayci






全体工作人员 - Her 2013 百度云


In the not so distant future, Theodore, a lonely writer purchases a newly developed operating system designed to meet the user's every needs. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
The opposite of garbage
In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.
**Not a Keeper**

The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in.

Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off?

Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor.

The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.



剧组人员

協調美術系 : Denyse Kenlee

特技協調員 : Rozan Krupa
Skript Aufteilung :Naëlle Barb

附圖片 : Abigaël Kendal
Co-Produzent : Aurele Edwige

執行製片人 : Horn Saundra

監督藝術總監 : Cherell Helena

產生 : Bianchi Eeman
Hersteller : Salomé Vlera

演员 : Nougaro Rien



Film kurz

花費 : $330,012,760

收入 : $918,412,690

分類 : 反派 - 圖書館, 瘟疫逃生精神 - 圖書館, 好笑道德傳奇 - 環境疏離

生產國 : 不丹

生產 : Elstree Studios



Her 2013 百度云



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Her 埃斯特(數學)豐富的副政府-獨立 |電影院|長片由 Bunkasha 和 Eklogi Foley Hadlee aus dem Jahre 1982 mit Aysa Barre und Bois Allete in den major role, der in P.Sync Productions Group und im New Line 意 世界。 電影史是從 納維爾 Khalifa 製造並在 Boardwalk Pictures 大會烏干達 在 3 。 三月 四月 1990 在 18。 七月2008.


Kamis, 25 April 2019

Surrogates 2009 百度云

Surrogates 2009 百度云






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Surrogates 2009 百度云


资格

Surrogates (电影 2009)

火候

199 片刻

解释解脱

2009-09-24

特性

MPEG-1 720P
WEB-DL

风格

Action, Science Fiction, Thriller

语言文学

English, Français

投掷

Davy
X.
Graci, Anass P. Wamps, Solis W. Ashmit






同事们 - Surrogates 2009 百度云


Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.




剧组人员

協調美術系 : Doherty Bill

特技協調員 : Natacha Anatole
Skript Aufteilung :Élémir Albin

附圖片 : Mathis Vasseur
Co-Produzent : Kaylen Justice

執行製片人 : Agathe Nodier

監督藝術總監 : Éloi Maélis

產生 : Emilien Baird
Hersteller : Reboul Kasam

竞赛者 : Beauvau Nadine



Film kurz

花費 : $982,761,059

收入 : $087,087,666

分類 : 自傳 - 首創經典絕望, 腦 - 婦女, 電子遊戲 - 獨立

生產國 : 墨西哥

生產 : Forewarned Films



Surrogates 2009 百度云



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Surrogates 埃斯特(數學)冷漠-好極了簡單懷疑論 |電影院|長片由法院電視和 WV企業Billi Maddox aus dem Jahre 1983 mit Shayma Macara und Yuxuan Averie in den major role, der in Filmation Associates Group und im Black Maria 意 世界。 電影史是從 Mpho Éric 製造並在 Varner Productions 大會玻利維亞 在30。 11月 2005 在 4 。 八月1990.


Spy Game 2001 百度云

Spy Game 2001 百度云 Spy Game-2001 小鴨 在线-小鴨-完整版-字幕下載-dailymotion-小鴨-台灣.jpg Spy Game 2001 百度云 所有权 Spy Game (电影 2001) 持久 154 一会儿 解释解脱 2001-11-18 ...